Monday, March 06, 2006
Hollywood and American Values
I don't think that giving Crash Best Screenplay over The Squid and the Whale necessarily means this year's Oscars have much to do with quality, but it's an interesting essay.
The truth is that Hollywood has almost never reflected heartland values. From its birth it's reflected urban energy, cosmopolitan taste, social conscience, and pagan fascination, and when it's conformed to conventional pieties, as during the dreariest stretches of the postwar period, when disillusionment and subversion had to sneak in through the shadows of film noir as the topline product stayed shiny, bright, and chipmunk cheerful.
Not that long ago, the Oscars noms were panned because for being an index of popularity, not quality; now quality prevails in the judging, tastes have improved even at the Golden Globes, and the kvetching chorus is complaining that the finalists chosen aren't commercial enough, and don't reflect the interests and values of average Americans. There's no such thing as an average American anymore (if there ever was), unless by "average American" you mean (as news producers and pundits seem to do) white, middle-aged, heterosexual Christian small-towners and suburbanites who won't even be watching the Academy Awards because it'll be past their bedtime and they have elk to milk the next morning.